Torya Hughes
Sunshine on Leith
★★★☆☆ Catchy tunes
Captivate Theatre’s sell out audiences for their production of Sunshine on Leith, in the Bijou Spiegel tent outside the Assembly Rooms on George Street, is testament to both the show’s popularity and the group’s reputation.
School of Rock
★★★★☆ Dynamic
Fringe favourites Captivate Theatre bring the musical School of Rock to the Magnusson Theatre at the Edinburgh Academy, featuring a cast of talented local children.
CeilidhKids at the Fringe
★★★★★ Perfection
CeilidhKids return to the Counting House with their popular family dances, aimed at providing the youngest audiences with a taster of traditional Scottish dance.
Spring Awakening
★★★☆☆ Subdued
Edinburgh Little Theatre’s production of Spring Awakening at the RSE Theatre showcases some talented performers, but lacks energy and passion.
The Collie’s Shed
★★★☆☆ Moving Drama
Shelley Middler’s new play The Collie’s Shed, which she also directs, is based on the miners’ strikes of the 1980s and fits perfectly into the intimate space of Perth Theatre at theSpace on North Bridge.
The Grandmothers Grimm
★★★★☆ Sinister comedy
Some Kind of Theatre bring their touring production of The Grandmothers Grimm back to the Fringe for a two week run at Riddle’s Court. Originally conceived for the Edinburgh Horror Festival in 2017, the piece has since toured the UK.
She Wolf
★★★★★ Fierce
Isla Cowan’s hard-hitting monologue She Wolf, winner of this year’s Assembly ART Award and the Alpine Fellowship Theatre Prize, fits perfectly in the intimate space of the Assembly Roxy Downstairs.
Shark in the Park
★★★★★ Enthusiastic retelling
This enthusiastic adaptation by Simon Beattie of Nick Sharratt’s Shark in the Park books for local company Nonsense Room Productions, calls in at Assembly George Square as part of a UK tour.