The Grads
The Fastest Clock in the Universe
★★★★☆ Febrile
EGTG drill down deep into the vicious heart of Philip Ridley’s The Fastest Clock in the Universe, in a production at the Assembly Roxy which never goes quite where you expect it to.
EGTG EdFringe Auditions
Grads post open auditions for two plays
Edinburgh amateur company The Edinburgh Graduate Theatre Group has posted notices of open auditions for its two EdFringe productions: crackers by company member cmfwood and Shakers by John Godber and Jane Thornton.
SCDA One Acts – Friday
Strong opening trio
The Edinburgh district round of the 2023 SCDA One Act Play Festival got of to a strong start up at the Church Hill Theatre on Friday night with a trio of plays that demonstrated the versatility of the competing amateur companies and the quality of their actors.
The Satyricon
★★★☆☆ Smutty
Martin Foreman’s new adaptation of Petronius’s first century bawdy comic romp, The Satyricon, is at Assembly Roxy to Saturday in an initially awkward staging that eventually finds its pace and pomp.
Hay Fever
★★★☆☆ Lightly hilarious
Every family has their foibles, but the Bliss family are next-level eccentric in Noel Coward’s delicious comedy Hay Fever – brought to the Assembly Roxy by EGTG for four performances only.
Bug
★★★★☆ Twisted romance
Set in a motel room somewhere in America, Bug begins like a twisted tale of romance but ends as a case study of how conspiracy, paranoia and wild theories can escalate into all-encompassing self-destructive philosophies.
Bytesize Theatre
★★★☆☆ Welcome
The lack of time to plan for live theatre at this year’s Fringe has not deterred the Edinburgh Graduate Theatre Group. Bytesize Theatre is a collection of three new plays presented on the online Fringe Player. The three pieces are not all equally impressive, but each has intriguing elements.
EGTG’s Improbables Return
Workshops for short-form improv:
EGTG has announced the return of The Improbables, its highly successful Improv troupe, with a 10-week introductory course into short-form improvisation.
Catch 22
★★★★☆ Catchy:
As with so many great books, Catch-22 seems to have defied dramatic representation over the years. And while EGTG’s version at the Biscuit Factory does not necessarily kill off such an idea, is still an extremely impressive production.
EGTG Catch their 22
Pace, Panto and Pathos promised at Biscuit Factory:
Stage adaptations of literature have been pouring off Edinburgh’s stages in the last wee while, but amateur company EGTG has gone to the top of the tree marked Iconic.
