Steven Bradley Croall
How I Learned to Drive
★★★★☆ Difficult
How I Learned to Drive, from Arkle at the Royal Scots Club for the Fringe’s second week, is a challenging piece staged with due care and skill.
Cyrano de Bergerac
★★★★☆ Unexpectedly touching
There is an almost wilfully uneven quality to Arkle’s Cyrano de Bergerac at the Hill Street Theatre, but – eschewing much of the heroic bombast that is usually associated with the play – it manages to be convincing and affecting.
The Importance of Being Earnest
★★★☆☆ Spirited
Arkle’s production of The Importance of Being Earnest at the Royal Scots Club has a headlong momentum that impresses, even if it is not always ideally suited to the play.
Pressure
★★★★☆ Energetic and intense
David Haig’s Pressure, focusing on two British obsessions: the weather and World War Two, had its world première at the Lyceum in 2014 and is now revived by Arkle at the Hill Street Theatre until Saturday.
The Venetian Twins
★★★★☆ Finest farce
Two years after they were meant to be bringing The Venetian Twins to Hill Street Theatre, Arkle Theatre Company’s production of Tony Cowie’s adaptation of the play finally made it to the theatre on Wednesday night. It was well worth the wait.
A Double on Hill Street
Arkle to bring Venetian Twins to Hill Street
Audiences at the Hill Street Theatre will be seeing double at the end of the month when local amateur company Arkle Theatre stages Tony Cownie’s adaptation of Goldoni’s The Venetian Twins.
