Ronnie Millar
Ne’er The Twain
★★★★☆ Couthie comedy
Edinburgh People’s Theatre have been doing the Fringe since it first started, and this is not the first time they have put on Alan Cochrane’s Ne’er the Twain. However, both play and company come over as commendably fresh and very funny.
Whisky Galore
★★★★☆ Classic comedy
Edinburgh People’s Theatre, 80 years young and regulars at the Fringe since Methuselah was a boy, return to one of their greatest hits in style with a production of Whisky Galore at Mayfield Salisbury Church.
The Deil’s Awa’
★★★★☆ Devilishly funny
Edinburgh People’s Theatre attack The Deil’s Awa’ at Mayfield Salisbury Church with such humour and panache that the result is nigh on irresistible.
Men Should Weep
★★★★☆ Timely
Seemingly endlessly delayed by Covid, Edinburgh People’s Theatre’s production of Men Should Weep finally takes to the Church Hill stage. The end result is carefully observed and has considerable emotional power.
Second Honeymoon
★★★★☆ Pacy nostalgia:
Second Honeymoon at Mayfield Salisbury Church extends Edinburgh People’s Theatre’s record-breaking Fringe run with some style. Unashamedly nostalgic and with bags of comic bravado, it purrs like a well-oiled machine.
Cambusdonald Royal
★★★★☆ Knockout knockabout
Mayfield Salisbury Church (Venue 11): Fri 3–Sat 18 Aug 2018
Review by Hugh Simpson
There is an air of freshness and fun to Cambusdonald Royal from Edinburgh People’s Theatre at Mayfield Salisbury Church.
Wedding Fever
★★★★☆ Cavalcade of laughs:
Huge fun and some genuinely good comic acting are to be found in Edinburgh People’s Theatre’s Wedding Fever.
Review – The Steamie
✭✭✭✭✩ Extremely funny revival:
Edinburgh People’s Theatre’s revival of The Steamie, which plays at the Church Hill Theatre until Saturday, is thoroughly successful and very, very funny.
Review – Hatches, Matches and Dispatches
✭✭✭✩✩ Convincing comic revival:
Edinburgh People’s Theatre are celebrating an astonishing 56th year on the Fringe with this revival of Alan Cochrane’s Hatches, Matches and Dispatches, a Fringe First winner in 1998.