Rebecca Mahar
The Wind in the Willows
★★★★☆ Charming
Adapted and Directed by Kate Stephenson, C Theatre’s The Wind in the Willows is a charming, delightful retelling of Kenneth Grahame’s classic children’s novel.
Tit Swingers
★★★★★ Omg they were crewmates
From the team behind Julie: the Musical comes Tit Swingers, a Punk Gig Musical – with added Pirates. To the wild riffing of electric guitar, bass, and drums, Le Gasp! Productions tells the unapologetically queer story of Anne Bonny and Mary Read: pirate queens, hellcats, tit swingers. Oh, and Calico Jack— he’s there too.
The Last Five Years
★★★★☆ Bittersweet
New Edinburgh-based Never Ending Theatre brings a poignant rendition of Jason Robert Brown’s The Last Five Years to Paradise in Augustines, which is pacy and arresting from start to finish.
Macbeth: Sleep No More
★★★☆☆ Well Spoken
Reducing Shakespeare’s cast of forty-plus characters to a company of four female performers, Shadow Road Productions brings Macbeth: Sleep No More back to the Fringe in an adaptation that encapsulates the essence of the Scottish Play.
Dido & Aeneas
★★★☆☆ Small but mighty
Fife Opera’s stripped-down production of Henry Purcell’s Dido & Aeneas in the airy stained-glass nave of Edinburgh New Town Church, is small in scale but sacrifices nothing in emotion or vocal quality.
TERF
★★★★☆ Thought provoking
TERF, written and directed by Joshua Kaplan, blazes into the Fringe to a cacophony of Twitter notification pings, bringing unapologetic social commentary to the stage, 280 characters at a time.
Mother Clap’s Molly House
★★★★☆ Gloriously vulgar
The EUTC deliver a fully frank and deliciously frivolous take on Mother Clap’s Molly House, Mark Ravenhill’s dark comedy with songs, which plays the Bedlam to Saturday.
