Oran Mor
PPP: Jinnistan
★★★★☆ Frightening
Jinnistan by Taqi Nazeer is the last in the current season at the Traverse of Oran Mor’s Play, Pie and a Pint. In many ways, they have saved the best till last.
PPP: Alföld
★★★☆☆ Intriguing
There is a commendable seriousness and ambition to Alföld, the latest Play, Pie and A Pint from Oran Mor at the Traverse, that makes it a worthwhile production, even if it is not entirely convincing.
PPP Made in China
★★★☆☆ Heartfelt
Made in China by Alice Clark, the latest Play, Pie and a Pint from Oran Mor at the Traverse, is a carefully written and excellently acted piece. Unfortunately it does not always satisfy as a drama.
PPP: Sally
★★★★☆ Worryingly funny
The uneasy relationship between politics and theatre is laid comically bare in James Ley’s Sally, the first in the new run of A Play, A Pie & A Pint from Oran Mor at the Traverse.
PPP: Man’s Best Friend
★★★★☆ Poignant
Jonathan Watson turns in a remarkable performance in Man’s Best Friend, the latest Play, Pie and a Pint from Oran Mor at the Traverse.
PPP: Milkshake
★★★☆☆ Claustrophobic
The subject matter of Milkshake by Rob Drummond, the latest offering at the Traverse from Oran Mor’s Play, Pie and a Pint, is intriguingly topical. Despite being acted with real conviction, however, it never quite reaches the heights it promises.
PPP: I’m Dissolving My Love In A Bath Of Acid
★★★☆☆ Absurd
Oozing with comic brio, I’m Dissolving My Love In A Bath Of Acid at the Traverse is a wonderfully performed and energetic if ultimately superficial piece.
Doris, Dolly and the Dressing Room Divas… at Christmas
★★★★★ A Christmas cracker:
The Gilded Balloon Basement in the Rose Street Theatre hosts top-tier talent this Christmas as five fabulous female stars tell their stories… via three spookily talented backstage assistants.
Review – Watching the Detective
★★★★☆
They have saved the best until the very last at the Traverse’s A Play, A Pie and A Pint season of lunchtime theatre, with Paddy Cunneen’s gem of a piece: Watching the Detective, performed by Stuart Bowman.
