New Celts
Di(n)e
★★☆☆☆ Lacking life
There is a peculiar absence of drive in Di(n)e by Connor Rock, from Invisible Strings Theatre Co and New Celts at the Space on the Mile.
We Used To Be Girl Scouts
★★★★☆ Does Its Best
Hey Thanks! Theatre Collective and New Celts’ We Used To Be Girl Scouts is a heartfelt production that is as smart as it is emotional.
Rat King Gospel
★★★☆☆ Uneven
Cup of Teatre and New Celts’ Rat King Gospel at theSpace on the Mile is an initially intriguing production that ultimately fails to deliver much insight, despite some fine acting.
Modern Love is Not a Dream
★★★★☆ A Dream
The clash of modern media with age-old themes is explored in Modern Love is Not a Dream by Laura Turner, presented by Looking Glass Theatre and New Celts at theSpace on the Mile. An intriguingly structured play, it is given a considered staging and features a first-rate ensemble.
You Deserve It
★★★★☆ Deserves praise
Out of Order Productions and New Celts do justice to Jess Ferrier’s impressive new play You Deserve It at theSpace on the Mile.
Badger
★★★☆☆ Overworked
Badger, from Burning Ember Theatre and New Celts at theSpace on the Mile, is a compelling but uneven farcical depiction of workers on the edge of reason.
Take Me to Your Leader
★★★★☆ Effervescent
Unexpected things keep popping up in Take Me to Your Leader from Headrush Theatre and New Celts at theSpace on the Mile.
Timeless Tales of Gods and Heroes
★★★★☆ Timely
Folk’d Up Theatre and New Celts’ Timeless Tales of Gods And Heroes at theSpace on the Mile is a well-observed and subtle examination of human interactions and contemporary politics.
Loose Ends
★★★☆☆ Melancholy anger
1TWO1 Productions and New Celts’ Loose Ends – at theSpace on the Mile for the Fringe’s first week only – is a spare and affecting display of vulnerability.
Julius Caesar Must Die
★★★★☆ Committed
Myths Unbound and New Celts charge through Julius Caesar Must Die at theSpace on the Mile with fire and real purpose.
