National Theatre
The Ocean at the End of the Lane
★★★★★ Breathtaking
Anyone with even a passing interest in fantasy should certainly go and see The Ocean at the End of the Lane at the Festival Theatre. As should anyone who has ever suffered loss, ever been a child, or who wants to see a theatrical production whose storytelling drive is matched by its extraordinary visual power.
Wuthering Heights
★★★☆☆ Overstretched
Emma Rice’s adaptation of Wuthering Heights for Wise Children with the UK National Theatre, Bristol Old Vic and York Theatre Royal is full of energy and ideas. Indeed, too full for its own good at times.
Macbeth
★★★☆☆ Fractured:
There is a peculiar absence of majesty at the heart of the UK National Theatre’s touring production of Macbeth, at the Festival Theatre until Saturday.
Hedda Gabler
★★★★☆ Modern:
Stark and tense, Ivo van Hove’s production of Hedda Gabler for the English National Theatre and touring to the Festival Theatre all week, is a thoroughly unnerving reading of Ibsen’s great play.
Jane Eyre
★★★★☆ Pure theatre:
Resolutely theatrical and visually arresting, the version of Jane Eyre at the Festival Theatre retains the flavour of that well-loved book while succeeding admirably on its own terms.
My Country – A Work in Progress
★☆☆☆☆ Limp:
My Country – A Work In Progress, the National Theatre of Great Britain’s touring response to the Brexit vote, may very well have its heart in the right place.
The Curious Incident of the Dog in the Night-Time
✭✭✭✭✩ Spectacular:
The Curious Incident of the Dog in the Night-Time, the UK National Theatre’s celebrated, award-winning adaptation of Mark Haddon’s novel, is back at the Festival Theatre until Saturday, and remains a beautifully staged, complex piece.
The Curious Incident of the Dog in the Night-time
✭✭✭✭✭ Perfect equation:
Visually slick and intellectually enthralling, the National Theatre’s production of The Curious Incident of the Dog in the Night Time, captures your imagination and simply doesn’t let got. Not during the show, and not afterwards.