Mayfield Salisbury Church Hall
Ne’er The Twain
★★★★☆ Couthie comedy
Edinburgh People’s Theatre have been doing the Fringe since it first started, and this is not the first time they have put on Alan Cochrane’s Ne’er the Twain. However, both play and company come over as commendably fresh and very funny.
Whisky Galore
★★★★☆ Classic comedy
Edinburgh People’s Theatre, 80 years young and regulars at the Fringe since Methuselah was a boy, return to one of their greatest hits in style with a production of Whisky Galore at Mayfield Salisbury Church.
The Deil’s Awa’
★★★★☆ Devilishly funny
Edinburgh People’s Theatre attack The Deil’s Awa’ at Mayfield Salisbury Church with such humour and panache that the result is nigh on irresistible.
Second Honeymoon
★★★★☆ Pacy nostalgia:
Second Honeymoon at Mayfield Salisbury Church extends Edinburgh People’s Theatre’s record-breaking Fringe run with some style. Unashamedly nostalgic and with bags of comic bravado, it purrs like a well-oiled machine.
Cambusdonald Royal
★★★★☆ Knockout knockabout
Mayfield Salisbury Church (Venue 11): Fri 3–Sat 18 Aug 2018
Review by Hugh Simpson
There is an air of freshness and fun to Cambusdonald Royal from Edinburgh People’s Theatre at Mayfield Salisbury Church.
The Fairmer Wants A Wife
✭✭✭✭✩ Warm and funny:
There is nothing remotely groundbreaking about EPT’s The Fairmer Wants A Wife at Mayfield Church. What is provided is a thoroughly enjoyable, very well presented piece of Scottish comedy.
Austensibility
✭✭✭✩✩ Celebratory:
The Mercators are back at the Fringe this year with Austensibility; an engaging dramatised reading celebrating the life and works of Jane Austen.
The Sorcerer’s Tale
✭✭✭✭✩ Good alchemy
Pawky, earthy and of consistent quality, Edinburgh People’s Theatre’s revival of The Sorcerer’s Tale is the ideal show for anyone wanting to see something very Scottish and very funny.
Review – Hatches, Matches and Dispatches
✭✭✭✩✩ Convincing comic revival:
Edinburgh People’s Theatre are celebrating an astonishing 56th year on the Fringe with this revival of Alan Cochrane’s Hatches, Matches and Dispatches, a Fringe First winner in 1998.
