Lizzie Powell
Macbeth (an undoing)
★★★☆☆ Intriguing
Macbeth (an undoing), by Zinnie Harris after William Shakespeare at the Lyceum, is the latest in a long line of rewritings of Macbeth. While it is undoubtedly thought-provoking, it ends up more perplexing than engrossing.
Orphans
★★★☆☆ Raucous
Full of comic bravado, the National Theatre of Scotland’s long-delayed musical adaptation of Orphans at the King’s is an attractive but unwieldy beast.
The Da Vinci Code
★★★☆☆ Visually arresting
The big budget obviously afforded to the adaptation of The Da Vinci Code is put to good use in a stunningly designed and consistently well acted production that bowls along merrily without ever quite coming together as a dramatic narrative.
A Midsummer Night’s Dream
★★★★☆ Starry night
There is nothing rushed about Dominic Hill’s compelling new production of Benjamin Britten’s opera of A Midsummer Night’s Dream for Scottish Opera at the Festival Theatre until Saturday.
Smile
★★★☆☆ Sympathetic
Smile, Dundee Rep’s football-themed online offering, transfers to the screen to provide a satisfactory record of 2020’s successful play about the legendary Jim McLean.
Seats Up at the Lyceum
Installation celebrates Scotland’s missing theatre:
The foyer of the Royal Lyceum has become the set of #TakeASeat, with freelance theatre designers creating a tableaux of empty seats to mark the loss of theatre during the Covid pandemic.
What Girls Are Made Of
★★★★★ Joyous:
Bursting with emotion and tuneful energy, the return to the Traverse of What Girls Are Made Of is a thing of wonder.
Cyrano de Bergerac
★★★★★ Irresistible:
Visually and verbally intoxicating, Cyrano de Bergerac at the Lyceum is a riotous, joyous expression of the human spirit.
