Jen McGinley
Moonset
★★★☆☆ Brave
Moonset, Maryam Hamidi’s coming-of-age story from the Citizens Theatre at the Traverse, is full of fire and anger. Its wilful refusal to settle down proves both a strength and a weakness.
The Enemy
★★★☆☆ Fussy
The Enemy, Kieran Hurley’s updating of Ibsen for The National Theatre of Scotland at the King’s this week, is an uneven proposition. Much of the production is timely and compelling, and the acting is excellent, but other elements cohere less convincingly.
Playing With Books – the Yellow Door
The last of this year’s Playing With Books events at the Book Festival was a singular piece. The Yellow Door was even more of a ‘work in progress’ than is usual for the strand as it is not yet even a book. I
Distance Remaining
★★★☆☆ Assured
There are some wonderful, and wonderfully human, performances in Distance Remaining. The three separate sections of the production ultimately fail to gel, but there is more than enough to sustain the interest.
I Can Go Anywhere
★★☆☆☆ Uneven two-hander:
A good premise is overshadowed by a lumbering script in Douglas Maxwell’s exploration of identity and belonging, I Can Go Anywhere, at the Traverse Theatre as part of Edinburgh’s Christmas to 21 December.
The Hour We Knew Nothing Of Each Other
★★★★☆ Contains multitudes:
Dizzying in its invention and almost ludicrously ambitious in scope, The Hour we Knew Nothing Of Each Other at the Lyceum is undoubtedly uneven but always intriguing.
