Hannah Donaldson
The Enemy
★★★☆☆ Fussy
The Enemy, Kieran Hurley’s updating of Ibsen for The National Theatre of Scotland at the King’s this week, is an uneven proposition. Much of the production is timely and compelling, and the acting is excellent, but other elements cohere less convincingly.
NTS takes on Orphans
Peter Mullan musical adaptation heads NTS’s live return
The National Theatre of Scotland is to stage a new musical adaptation of Peter Mullan’s 1997 movie Orphans as part of its return to live performance.
The Voice Thief
✭✭✭✭✩ Resounding success:
Involving, clever, and with an intriguing melancholy and subtle political edge, The Voice Thief at Summerhall is thoroughly recommended for all.
The Voice Thief
✭✭✭✭✩ Interactive magic
Young critics scheme review:
Surreal, entertaining and quirky, The Voice Thief performed by Catherine Wheels takes you on an interactive tour of MIEVH, a voice correction facility.
In Time o’ Strife
✭✭✭✭✩ Raw power
Visceral and uncomfortable truths are laid bare in the National Theatre of Scotland’s production of In Time O’ Strife. Despite the odd false step in the staging, this is an emotionally charged and thoroughly involving production.
Theatre Review – The Cherry Orchard
Uprooted from its original time and place, John Byrne’s new version of Chekhov’s Cherry Orchard transplants the action to Scotland in 1979, on the eve of Thatcher’s first term in office.
