Emma Callander
Theatre Uncut goes Traverse
Power Plays for Traverse & Tron:
Theatre Uncut’s 2018 free-to-perform scripts, the Power Plays, are to get script-in-hand performances at the Traverse theatre next week, on Thursday 7 June 2018 from the Braw Fox theatre company.
Theatre Uncut Is Back
New Power Plays free to perform May & June:
Theatre Uncut returns in May with the release of The Power Plays, a set of free-to-perform plays, examining power from the female perspective
Breakfast Plays: B!rth (Q & Q)
Breakfast Plays rehearsed reading:
Director Emma Callander brings Liwaa Yazji’s poignant Q & Q to the Traverse Theatre in a rehearsed reading as part of the Birth project.
McNair Joins Traverse
Cast announced for Locker Room Talk:
Gary McNair has joined the Traverse Theatre as an associate artist, ahead of the performance of his Trump response piece Locker Room Talk, next week, 17 and 18 February 2017.
Crash
★★★☆☆ Alluring:
Andy Duffy’s elusive character study returns to the Traverse this weekend in a maelstrom of stocks, shares and self-loathing.
Crash
★★★☆☆ A desperate poetry:
Dark, troubling and involving, the Traverse Theatre Company’s Crash may not succeed on every level but certainly benefits from a mighty performance by Jamie Michie.
Discover Theatre Uncut
Rights-free experiment coming to Discover 21:
Three of this year’s Theatre Uncut pieces are being performed on Wednesday 26 November at Discover 21 by local grassroots company Urban Fox.
Play for today
The @YesNoPlays @TraverseTheatre cast:
Casting has been announced for David Greig’s The Yes/No Plays, created on Twitter, which are transferring to the Traverse for two live shows today.
Writing on the wall for Traverse
The notion that new writing permeates the very fabric of the Traverse theatre is being given concrete evidence this week, as a series of 200 word plays are inscribed on the walls.
The Queen of Lucky People – Review
✭✭✭✩✩ Cautionary whimsy
The final production in this Spring season of lunchtime theatre at the Traverse, see whimsy runs right through Iain Heggie’s comic, cautionary tale of self delusion and social media use.
