EGTG
The Ruffian on the Stair
★★☆☆☆ Falls short
For the second of their Fringe productions, EGTG revive The Ruffian on the Stair, a little-known Joe Orton play, sixty years after it debuted as a BBC radio play.
A Singular Deception
★★★☆☆ Medical mystery
Edinburgh Graduate Theatre Group mark their 70th year with A Singular Deception, a new play by company member Hilary Spiers which is the first of two shows at the Royal Scots Club for Week One of the Fringe.
The Fastest Clock in the Universe
★★★★☆ Febrile
EGTG drill down deep into the vicious heart of Philip Ridley’s The Fastest Clock in the Universe, in a production at the Assembly Roxy which never goes quite where you expect it to.
Apocalypse beyond the line
EGTG revive Walt McGough’s Chalk
Edinburgh Graduate Theatre Group return this coming week with a revival of American playwright Walt McGough’s intense, 2015 sci-fi fable, Chalk, upstairs at the Assembly Roxy from Wed 8 to Sat 11 November 2023.
crackers
★★★☆☆ Strong performances
Edinburgh based writer cmf wood’s crackers, at the Royal Scots Club, performed by EGTG explores the stigma attached to mental ill-health, particularly amongst teenagers.
EGTG EdFringe Auditions
Grads post open auditions for two plays
Edinburgh amateur company The Edinburgh Graduate Theatre Group has posted notices of open auditions for its two EdFringe productions: crackers by company member cmfwood and Shakers by John Godber and Jane Thornton.
The Satyricon
★★★☆☆ Smutty
Martin Foreman’s new adaptation of Petronius’s first century bawdy comic romp, The Satyricon, is at Assembly Roxy to Saturday in an initially awkward staging that eventually finds its pace and pomp.
Roman Holiday
Arbery and EGTG stage The Satyricon
A new adaptation of The Satyricon is being staged this week at the Assembly Roxy in a co-production between Arbery Productions and EGTG. We spoke to adaptor and director Martin Foreman about his project.
Bloody Wimmin
★★★★☆ Connecting
Strong individual performances ensure that EGTG’s production of Lucy Kirkwood’s Bloody Wimmin, at the Royal Scots Club for one week only, gives real life to the connection between two protest movements, twenty years apart.