Dominic Hill
PPP: Alföld
★★★☆☆ Intriguing
There is a commendable seriousness and ambition to Alföld, the latest Play, Pie and A Pint from Oran Mor at the Traverse, that makes it a worthwhile production, even if it is not entirely convincing.
A Midsummer Night’s Dream
★★★★☆ Starry night
There is nothing rushed about Dominic Hill’s compelling new production of Benjamin Britten’s opera of A Midsummer Night’s Dream for Scottish Opera at the Festival Theatre until Saturday.
The Macbeths
★★★★☆ Bloody good
The Macbeths, the Citizens’ concentrated revision of Macbeth, supplies a charge that is so often missing in versions of the play.
Cyrano de Bergerac
★★★★★ Irresistible:
Visually and verbally intoxicating, Cyrano de Bergerac at the Lyceum is a riotous, joyous expression of the human spirit.
Oresteia: This Restless House
★★★★☆ Drips grandeur:
Huge and elemental forces drive This Restless House, the version of the Oresteia by Zinnie Harris originally produced by the Citizens’ Glasgow and the National Theatre of Scotland last year.
The #CATS16 winners
Wait ends for Godot at CATS:
The Lyceum’s production of Waiting for Godot has won the Best Production award at this year’s Critics Awards for Theatre in Scotland.
Review – Crime and Punishment
Absorbing and intelligent, the new adaptation of Crime and Punishment by Chris Hannan and directed by Dominic Hill makes for powerful entertainment at the Lyceum.
Laughing around the Edinburgh Fringe: Day Three…
Futureproof, Comedy lunch, Sans Hotel and the World According to Bertie By Thom Dibdin Edinburgh was laughing on Sunday. It laughed in the rain, still streaming down, it laughed with the comedy mob, it laughed with the locals and with the visitors and it reserved its biggest laugh for the theatre. It was the day […]