Chris Cotter
9 to 5 The Musical
★★★☆☆ Pacy fun
There is considerable enjoyment to be had in Edinburgh Music Theatre’s production of 9 to 5 the Musical at the Church Hill.
The Yeomen of the Guard
★★★★☆ A classic with clarity
The good men and women of Edinburgh Gilbert and Sullivan Society do more than yeoman service as they present arguably the greatest Savoy opera at the Festival Theatre.
Enchanted April
★★★★☆ Accomplished
There is a wistful nostalgia almost built in to Threepenny Theatricals’ Enchanted April, which is at the Church Hill Theatre until Saturday.
Dear Brutus
★★★★☆ Old world charm:
Threepenny Theatricals’ Dear Brutus at the Church Hill is a resolutely odd piece, hugely uneven in tone, but discharged with such grace and skill that is compulsively watchable.
HMS Pinafore
★★★★☆ Hits the heights:
There is a strong musicality and big professional polish to EdGAS’s production of H.M.S. Pinafore which is at the King’s Theatre until Saturday.
Elephants
★★★★☆ Accomplished debut:
Some excellent acting distinguishes ‘festive black comedy’ Elephants from new company Threepenny Theatricals upstairs at the Roxy.
Elephants in the Roxy
3T’s debut, Elephants, is Main event:
New Edinburgh amateur company Threepenny Theatricals is staging Rose Heiney’s black comedy Elephants as its debut production at the Assembly Roxy next week, 25 – 27 January 2018.
The Sorcerer
★★★★☆ What larks:
For careful execution and straightforward fun, it is difficult to imagine many recent productions of Gilbert and Sullivan have beaten Cat-Like Tread’s The Sorcerer at Paradise in Augustines.
Ruddygore
★★★☆☆ Precise:
Musically rigorous and staged with clarity, there is a definition to EDGAS’s Ruddygore than compensates for a certain lack of sparkle.
Me and My Girl
★★★★☆ Thoroughly tuneful:
Very fine performances and some chorus numbers of an exceptional standard mark out Me and My Girl, EDGAS’s latest foray into non-G&S material at the Church Hill, to Saturday.
