Adam Best
Macbeth (an undoing)
★★★★☆ Compelling
Zinnie Harris’s much-garlanded adaptation of Shakespeare, Macbeth (an undoing), returns to the Lyceum subtly tweaked and all the better for it.
Macbeth (an undoing)
★★★☆☆ Intriguing
Macbeth (an undoing), by Zinnie Harris after William Shakespeare at the Lyceum, is the latest in a long line of rewritings of Macbeth. While it is undoubtedly thought-provoking, it ends up more perplexing than engrossing.
![The Duchess [of Malfi]](http://www.alledinburghtheatre.com/wp-content/uploads/2019/05/2.-Angus-Miller-as-Ferdinand-and-Kirsty-Stuart-as-The-Duchess.-Photo-credit-Mihaela-Bodlovic-190x127.jpg "The Duchess [of Malfi]")
The Duchess [of Malfi]
★★★★☆ Necessarily nightmarish:
The blood-soaked events of The Duchess [of Malfi], a co-production between the Lyceum and the Citizens Theatre, are almost unwatchably intense at times. As a depiction of timeless and timely considerations, however, this production is hard to beat.
Hedda Gabler
★★★★☆ Modern:
Stark and tense, Ivo van Hove’s production of Hedda Gabler for the English National Theatre and touring to the Festival Theatre all week, is a thoroughly unnerving reading of Ibsen’s great play.
Review – Long Day’s Journey Into Night
✭✭✭✭✩ Intensely emotional
Intense, disquieting and ultimately rewarding, the Lyceum’s production of Eugene O’Neill’s Long Day’s Journey into Night is worthy of very high praise.
Review – Crime and Punishment
Absorbing and intelligent, the new adaptation of Crime and Punishment by Chris Hannan and directed by Dominic Hill makes for powerful entertainment at the Lyceum.
