A Play A Pie and A Pint
PPP: Detained
★★★★☆ Heartfelt
Detained, the final instalment in the Traverse’s autumn season of offerings from from Òran Mór’s Play, Pie and a Pint, is a thoughtful and incisive piece of theatre.
PPP: Lost Girls / At Bus Stops
★★★☆☆ Excellent performances
Lost Girls / At Bus Stops, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is a rather sweet take on a time-honoured dramatic dilemma.
PPP: The Wolves at the Door
★★★☆☆ Well-intentioned
The Wolves at the Door by Jack Hunter, the latest Play, Pie and a Pint offering from Òran Mór at the Traverse, is a piece of politically-informed theatre that has heart but is ultimately lacking in bite.
Edinburgh, Cream of the CATS
Edinburgh companies win half CATS 2024
Three Edinburgh companies shared half the Critics Awards for Theatre in Scotland 2024 (CATS), awarded in a ceremony at the Glasgow Theatre Royal today, Sunday 16 June.
PPP: The Scaff
★★★☆☆ Energetic
The Scaff by Stephen Christopher and Graeme Smith, the last in the Traverse’s Spring season of Òran Mór’s Play, Pie and a Pint, is performed with a huge amount of dynamism.
PPP: Hotdog
★★★☆☆ Powerful
Hotdog by Ellen Ritchie, this week’s lunchtime theatre at the Traverse, is a powerful if uneven production, extremely well performed.
PPP: Pushin’ Thirty
★★★☆☆ Delicate
Traverse: Tue 19 – Sat 23 Mar 2024
Review by Hugh Simpson
Pushin’ Thirty at the Traverse is a delicate and evocative piece that does not always convince.
PPP: Starving
★★★★☆ Nutritious
Starving by Imogen Stirling, the latest Play, Pie and a Pint at the Traverse from Òran Mór in collaboration with Raw Materials, is a potent and fascinating piece.
PPP: Bread & Breakfast
★★☆☆☆ Spirited performances
Bread & Breakfast by Kirsty Halliday, this week’s Play, Pie and a Pint at the Traverse, moves away from the usual monologue or two-handed fare into the honourable tradition of misunderstandings, falling over and sticking your foot in a bucket.