Summerhall
Through the Mud
★★★★☆ Emotionally resonant
A musical story of Black liberation, explored through the journeys of two generations of female activists in the United States, Apphia Campbell’s Through the Mud at Summerhall for the whole fringe, co-produced by Stellar Quines and Royal Lyceum Theatre, boldly and beautifully examines revolution.
Lynn Faces
★★★☆☆ Original
Lynn Faces at Summerhall is the antidote to gig theatre. Laura Horton’s new play, co-commissioned by New Diorama Theatre, Norwich Theatre and Theatre Royal Plymouth, is a portrait of toxic relationships and real friendship with (intentionally) appalling music.
A History of Fortune Cookies
★★★★☆ Sweet treat
A History of Fortune Cookies written and performed by Glasgow-based spoken word artist Sean Wai Keung at Summerhall, is one of those unique and unexpected performances that one may only find at a festival like the Fringe.
Will Pickvance: Wonky
★★★★☆ Inviting
Will Pickvance: Wonky, at Summerhall Old Lab throughout the Fringe, is a charming, inventive and diverting show, guaranteed to cheer up even the most jaded Fringe-goer.
The Bookies
★★★☆☆ Spread bet
The Bookies spins the story of a betting shop on Leith Walk, its employees and a slot machine-addicted customer in this black comedy playing at Summerhall for the duration of the fringe.
June Carter Cash: The Woman, Her Music and Me
★★★★☆ Exuberant
Intense emotion is combined with real intelligence in The National Theatre of Scotland and Grid Iron’s June Carter Cash: The Woman, Her Music and Me by Charlene Boyd, at Summerhall Dissection Room.
Puddles and Amazons
★★★★☆ Joyfully unique
Guy Wood’s imaginative piece of solo storytelling uses live audio mixing to bring this curious tale to life in Puddles and Amazons at Summerhall’s Demonstration Room at the Fringe.
