Rebecca Mahar
Divided
★★★★☆ Delicate
In Divided, Kate Macsween and Michael Reddington play the parents of recently transitioned Saul, in this (mostly) two-hander about family, gender, and the deeper commitments behind unconditional love.
TÁIN
★★★★☆ Otherworldly
Young Edinburgh Storytellers, Mark Borthwick and David Hughes, hold their audience rapt with TÁIN, a much-condensed adaptation of Ireland’s most famous epic tale.
Macbeth & Dunsinane
Macbeth: ★★★☆☆ Speedy
Dunsinane: ★★★★☆ Bloody
A Necessary Cat have done it again – bringing a powerful double helping of a Shakespeare starter and Shakespeare-adjacent main course to the Fringe in which the whole is better the sum of its parts.
The Steamie
★★★★★ Hilarious & heartfelt
Stage Door Entertainment brings Tony Roper’s classic play The Steamie to the Fringe with heart, humour, and honesty.
And They Played Shang-a-Lang
★★★★★ Joyful romp
After an eleven-year streak, Edinburgh Little Theatre’s And They Played Shang-a-Lang opens what is billed as its final Fringe run, to a packed and cheering house at the Hill Street Theatre.
The Wind in the Willows
★★★★☆ Charming
Adapted and Directed by Kate Stephenson, C Theatre’s The Wind in the Willows is a charming, delightful retelling of Kenneth Grahame’s classic children’s novel.
The Last Five Years
★★★★☆ Bittersweet
New Edinburgh-based Never Ending Theatre brings a poignant rendition of Jason Robert Brown’s The Last Five Years to Paradise in Augustines, which is pacy and arresting from start to finish.
TERF
★★★★☆ Thought provoking
TERF, written and directed by Joshua Kaplan, blazes into the Fringe to a cacophony of Twitter notification pings, bringing unapologetic social commentary to the stage, 280 characters at a time.
