Online
Rapunzel: The Pantomime
★★★★★ Towering achievement
The Brunton’s panto is a little different this year – Oh yes it is! Covid means the Brunton’s 2020 offering was filmed, with smaller audiences able to watch Rapunzel in the venue’s cinema. As it turned out, tier changes meant that plan was abandoned, but a web link ensures kids of all ages don’t have to miss out.
Lyceum Christmas Tales I-IV
★★★★☆ Tasty selection
With festive theatre lacking like so much in 2020, the Lyceum’s online Christmas Tales go along way towards compensating.
Fibres
★★★★☆ Emotive
Fibres, the online filmed version of the 2019 Citizens and Stellar Quines co-production, offers humour, emotion and political impact.
Lament for Sheku Bayoh
★★★★★ Essential
Lament for Sheku Bayoh, the Lyceum’s online co-production with the National Theatre of Scotland and the Edinburgh International Festival, is a work of huge impact on many levels.
shrapnel
★★★☆☆ Timely
There is a timeliness and emotional truth to Shrapnel, Production Lines’s online play by CMFWood, that is enhanced by being presented live.
In Someone Else’s Shoes: Edinburgh’s Unexpected Summer
★★★★☆ Poignant:
In Someone Else’s Shoes, the Traverse’ immersive online presentation conceived and directed by Hannah Price, is a thought-provoking and wistful evocation of Edinburgh without its festivals.
Traverse Festival (2)
Shielding , Doomsdays, Matterhorn & The Watercooler:
The Traverse’s online Festival continues with three more audio-only Breakfast Plays, as well as some treats that are more visual.
Traverse Breakfast Plays: New Tracks (1)
Traverse 3:
The Traverse are replicating their Fringe Breakfast Plays with streams from their new online-only Traverse 3, and the first two offerings – Contemporary Political Ethics (Or, How to Cheat) by Jamie Cowan and Rabbit Catcher by Rebecca Martin – both have much to recommend them.