Archive for August, 2022
Make-Up
★★★★☆ Intimate
Make-Up, from NoLogo Productions at the Underbelly Wee Coo in George Square, is a disarmingly truthful and humorous piece, adroitly constructed and beautifully performed.
The End of Eddy (EIF)
★★★★☆ Enthusiastic
The End of Eddy’s unflinching examination of small-town prejudice is done with verve and humour at the Church Hill Theatre as part of this year’s Edinburgh International Festival.
Worn
★★★★☆ Dusted with gold
Worn, White and Givan’s powerful new piece of contemporary dance, is at Dance Base for the middle week of the fringe only.
Bits ‘N’ Pieces
★★★★☆ Electric
Bits ‘N’ Pieces, Saltire Sky’s new immersive show at Leith Arches, immediately transports you to a rave, with vibrant flashing lights, energetic dance moves and music that will pulse through your body.
Muster Station: Leith (EIF)
★★★★☆ Chilling
Muster Station: Leith, by immersive theatre specialists Grid Iron for the EIF, uses the halls and corridors of Leith Academy to suggest what it might be like when the climate emergency reaches a crisis point, here, in Edinburgh.
Silkworm
★★★★☆ Empathetic portrayal
Silkworm, from Pearlfisher at Assembly Roxy, is the story of Abidemi and Omolade, two asylum seekers living in a Glasgow high-rise tower block while they await decisions on their asylum claims.
Chicago, Chicago!
★★★☆☆ Promising
Name Pending Productions’ Chicago, Chicago! at Greenside @ Riddles Court for one week, is an original and intriguing piece, full of vitality. Its strange mixture of genres and ideas does not always come together, but shows distinct promise.
The Masks of Oscar Wilde
★★★★☆ Accomplished
The Masks of Oscar Wilde, from Matchmaker Productions at Greenside @ Riddles Court, is an informative account of Wilde’s life. The play may not be the best structured work imaginable, but this production makes the most of it under difficult circumstances.
Sandcastles
★★★☆☆ Endearing
Sandcastles, Steve McMahon’s warm and thoughtful new play is brought to life by a charismatic cast, directed by Kolbrún Björt Sigfúsdóttir, in this Brite Theatre production at the Assembly Rooms.