Archive for August, 2018
Technicolor
★★★★☆ Extra-terrestrially cool:
Black Bat’s Technicolor is a freewheeling exercise in both nostalgia and modernity that is highly recommended.
Hymns For Robots
★★★☆☆ Electronic dream:
Hymns For Robots, Noctium Theatre’s portrait of electronic music innovator Delia Derbyshire, is an appealingly winsome piece of theatre.
The Steamie
★★★★☆ Strong bond:
Leitheatre make a solid and entertaining evening of it with their take on Tony Roper’s great Scottish comedy, The Steamie, which is at St Serf’s until Saturday.
The WWI Wardrobe Project
★★★☆☆ Historical accuracy:
The WWI Wardrobe Project has emotional force as well as a certain charm as Immersive Response’s production seeks to make 1917 more immediate.
The Pieman Cometh: A Cautionary Football Tale
★★★☆☆ Peh? Meh:
Instantly recognisable situations and types from Scottish football give The Pieman Cometh: A Cautionary Football Tale, at the Gilded Ballon Rose Theatre Basement, a wide appeal.
Hecate
★★☆☆☆ Fairly foul:
As befits a play so often performed and studied, Macbeth has been the object of many reworkings and extensions over the years. Unfortunately, for every Dunsinane there are ten less memorable efforts. The Little Shakespeare Company’s Hecate falls into the latter category.
You Remind Me Of You
★★★★☆ You’re welcome:
There is a fierce theatrical intelligence at work in Arkle’s production of You Remind Me Of You at the Royal Scots Club.
Laugh Out Loud (Cry Quietly)
★★★☆☆ Fresh breeze:
Laugh Out Loud (Cry Quietly), by Arkle at the Royal Scots Club, is a sparky confection lacking profundity but full of energy.
The Mould That Changed The World
★★★★☆ Infectiously Good:
The threat of antibiotic resistance may be an unlikely subject for a musical, but The Mould That Changed The World makes this educational topic fun in a highly entertaining new show.
Breathing Corpses
★★★☆☆ Morbid curiosity:
Breathing Corpses, by Split Brick and New Celts at TheSpace on the Mile, leaves a nasty taste in the mouth at times.
