Macabre and brutalised, Martin McCormick’s nerve-wracking offering for lunchtime theatre, A Play, A Pie and a Pint, has distinctly Lynchian overtones which director Finn Den Hertog relishes in bringing out.
✭✭✭✩✩ Twitter gold
Sparkling with internal wit, David Greig’s translation of his Twitter Plays to the stage is a piece of event drama which marks Referendum Day with style, although with not quite the even hand some might think.
✭✭✭✭✩ Intriguingly informative
The question of the week in Triggerstuff’s clever and illuminating production, at the Traverse for one performance only, is not what side to take: whether to be Yes or No. The question is one of how you get to that decision.
✭✭✭✭✩ Raw power
Visceral and uncomfortable truths are laid bare in the National Theatre of Scotland’s production of In Time O’ Strife. Despite the odd false step in the staging, this is an emotionally charged and thoroughly involving production.
✭✭✭✭✩ Simple but not simplistic
Charming, funny and with deceptive depth, First Cosmonaut from Sligo-based Blue Raincoat Theatre tells the story of the first man in space entertainingly.
✭✭✭✩✩ Serious fun
An extremely clever idea lies behind MONEY the Game Show, Clare Duffy’s play which originated with the Platform 18: New Directions Award and now returns to the Traverse for a two night run.
✭✭✭✩✩ Cautionary whimsy
The final production in this Spring season of lunchtime theatre at the Traverse, see whimsy runs right through Iain Heggie’s comic, cautionary tale of self delusion and social media use.
✭✭✭✭✩ Slightly imperfect
Infectious and entertaining, The Beautiful Cosmos of Ivor Cutler is an engaging production whose flaws do not detract from its essential likeability.
✭✭✭✭✩ Puts flesh on bones
Lang syne deid, the Skeleton Wumman is an eerie and intriguing storyteller in Gerda Stevenson’s contribution to this Spring’s season of lunchtime theatre at the Traverse.