Author: Hugh Simpson

Lyceum Christmas Tales IX – XII live
★★★★☆ Creative Joy
The final four stories in the Lyceum Christmas Tales, presented live from the theatre, put the seal on what has been an enterprise suffused with goodwill, invention, care and Christmas cheer.

Lyceum Christmas Tales V – VIII
★★★★☆ Fresh
The last four of the pre-recorded Lyceum Christmas Tales provide another helping of laughter, reflection and hope.

Lyceum Christmas Tales I-IV
★★★★☆ Tasty selection
With festive theatre lacking like so much in 2020, the Lyceum’s online Christmas Tales go along way towards compensating.

Lament for Sheku Bayoh
★★★★★ Essential
Lament for Sheku Bayoh, the Lyceum’s online co-production with the National Theatre of Scotland and the Edinburgh International Festival, is a work of huge impact on many levels.

shrapnel
★★★☆☆ Timely
There is a timeliness and emotional truth to Shrapnel, Production Lines’s online play by CMFWood, that is enhanced by being presented live.

In Someone Else’s Shoes: Edinburgh’s Unexpected Summer
★★★★☆ Poignant:
In Someone Else’s Shoes, the Traverse’ immersive online presentation conceived and directed by Hannah Price, is a thought-provoking and wistful evocation of Edinburgh without its festivals.

Traverse Festival (2)
Shielding , Doomsdays, Matterhorn & The Watercooler:
The Traverse’s online Festival continues with three more audio-only Breakfast Plays, as well as some treats that are more visual.

Traverse Breakfast Plays: New Tracks (1)
Traverse 3:
The Traverse are replicating their Fringe Breakfast Plays with streams from their new online-only Traverse 3, and the first two offerings – Contemporary Political Ethics (Or, How to Cheat) by Jamie Cowan and Rabbit Catcher by Rebecca Martin – both have much to recommend them.